Tonality and Tonal Characteristics
Every combination of notes, or tones, has a certain tonal characteristic. Some combinations are easy to listen to, some create a tension, while others make us cringe. Fundamental tonal characteristics include: Major, minor, dominant, augmented and diminished.
What determines tonal character?
Tonal character is determined by the notes being played relative to the root. Here are some general guidelines:
Major: A major third above the root - 1 3 5
minor: A flat third above the root - 1 b3 5
Dominant: A major third and a flat seventh - 1 3 5 b7
Augmented: a major third and a sharp fifth - 1 3 #5
diminished: a minor third and a flat fifth - 1 b3 b5 bb7
Essential versus NonEssential Tones
When playing chords, not all tones must be played. In fact, many times playing all of the tones of a chord on a six string guitar is impossible. For example, a Major 13th chord is made up of 7 tones - 1 3 5 7 9 11 13. It's tough to play 7 notes on a 6 string instrument.
What's crucial is that the essential tones be played. These are the tones that impart the tonal characteristic of the chord.
Ok, so which tones are essential?
In general, tones that dictate the tonal quality of the chord must be played. For example, the 3rd and 7th are almost always crucial to imparting tonal quality. The 3rd and 7th tell our ear that the tonal characteristic is major, minor or dominant. In all of these chords, the fifth is always a perfect fifth. In other words, the fifth is always the same and doesn't give us any indication of tonal quality.
However, in the case of augmented and diminished chords, the fifth determines the tonal characteristic as it is either flattened (diminished) or sharpened (augmented).
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